Photography: My Reading


cc licensed ( BY NC SD ) flickr photo shared by hebedesign

The shutterbug is feeding voraciously on my blood.

I am happily bitten and wanted to share the best of what I have read on my Kindle or iPad, from local libraries, inter-library loans or friends’ shelves. Amazon has made a fine profit from me as it is so easy to cheaply and quickly purchase for my kindle – with just ‘one click’. Interestingly enough, the postie seems to be delivering, almost as often, many photography books to my door, at prices not possible from the local bookstore. I just ordered two more classic, recently reprinted, photography books while writing this post (for half the price if purchased from you know where); Bruce Barnbaum‘s Art of Photography: An Approach to Personal Expression (2011) 1994 and Galen Rowell‘s Inner Game of Outdoor Photography (2010) 2001 should arrive next week.

The books that have helped me reflect on ways of thinking/seeing creatively have been the most pleasurable reads. Bryan Peterson’sLearning to See Creatively (2003) and David duChemin’s, Within the Frame: The Journey of Photographic Vision (2009) are particularly engaging and one senses the photographer behind the words and images throughout the books. For example, a book about HDR photography, like Trey Ratcliff‘s A World of HDR (2009), works for me as it focuses more on the artistry than the tools or techniques. I note how often Trey’s personal interests, ideas and attitudes resound with me in both his books and blog. I am much more comfortable in this realm than the texts that are more scientific and technical, although some of these are particularly readable, like Christian Bloch’s, The HDRI Handbookwhich is more about the techniques, history and development of this particular style of photography. I found the  images in Rick Sammon’s, HDR Secrets for Digital Photographers (2010) stunning. These these three tomes about HDR nicely compliment each other.

I have really needed to learn about tools and techniques, history and the development of photography, especially the theoretical principles, as well as practicalities of the art. I like theory but struggled with this excellent book - Light Science and Magic – which I must revisit when it is updated and released later in the year. I suspect that my major area to develop is a more scientific understanding of light. Not surprisingly, I am more comfortable with a novel – like the brilliant Gail Jones’ Sixty Lights (2004) – which I could not recomend more highly for anyone in love with photography and beautiful imagery. Geoff Dyer is one of my favourite authors and The Ongoing Moment (2007) is a most unusual read. I cannot say that I enjoyed Roland Barthes‘ Camera Lucida (1980) (either time I read it) but would recommend Susan Sontag On Photography (2001) 1977. I have barely skimmed the surface of Alan Trachtenberg‘s (Ed.) Classic Essays on Photography (1980) but have it by the bed. Michel Frizot’ massive,  A New History of Photography (1999) is just too big to read while horizontal but makes for interesting browsing at the kitchen table where it resides, overdue from the school library.

Of a very practical nature, Simon Stafford’s, Magic Lantern Guides: Nikon D700 (2008) is the best of the ‘guides’ to my new camera. I also dipped into Darrell Young’s Mastering the Nikon D700 (2010) which was useful too. Scott Kelby’sThe Adobe Photoshop Lightroom 3 Book for Digital Photographers (2010) really got me started with this fantastic Adobe software which has changed my workflow significantly. I should mention that his The Digital Photography Book: The Step-By-Step Secrets for How to Make Your Photos Look Like the Pros’! Volumes 1 – 3 (2009) is a great general introduction to digital photography. Joe McNally’s, The Moment It Clicks: Photography secrets from one of the world’s top shooters is also highly recommended along with any of Michael Freeman’s books, especially Perfect Exposure (2009) and The Photographer’s Eye: Composition and Design for Better Digital Photos (2007). Some other really practical, useful introductory books are Bryan Peterson’s, Understanding Shutter Speed and Understanding Exposure.


Wildlife and macro photography is of particular interest to me. Of the twenty published Wildlife Photographer of the Year folios, I’ve borrowed about 8 or 9 and love seeing the evolution of the competition. Light on the Earth : Two Decades of Winning Images is a great overview of the competition. Jim Harmer‘s Improve Your Wildlife Photography (2010) is a brief read but I learnt a few tricks and tips. As I did from Harold Davis‘ Creative Close-ups.

Quite a few books are teetering on my bedside table. I have only skimmed Laurie Excell’s Composition: From Snapshots to Great Shots and François Brunet’s Photography and Literature (2009) but hope to read them before heading overseas next month with my camera bag.

I am particularly interested in the future of photography and just started Matthew Bamberg’s, New Image Frontiers; Defining the Future of Photography. At the moment his overview of fashion photography is interesting me more than I’d ever have expected.

There is little more satisfying than sensing your thinking and skills developing as a result of some concerted reading. I just need the evidence of some stunning photos in the next 12 months to prove it is not just book-learnin’.

What photography books can you recommend?

Macro Moments

Macro photography is a joy and pleasure that too few photographers experience or spend sufficient time exploring.

What is macro, sometimes called micro, photography? Basically, it is often said to be any kind of close-up photography but more accurately, it is when the photographic reproduction is 1:1 or larger.

What does this mean?

If you made a macro shot of a coin, then placed the coin on the photo, the coin will be the same size as the picture of the coin or smaller. You need a speciality lens to take this kind of photo, although, there are a number of workarounds if you cannot afford to buy one just yet. Nikon’s 105mm f/2.8 AF Micro-Nikkor is my favourite macro lens and doubles for portrait work too.

I like the level of immersion that comes with finding and shooting less obvious, smaller subjects that many overlook. Time passes very quickly when you are concentrating on making fine adjustments with your macro focusing rail and tripod.

On Friday afternoon, I took the kids to Bombo Beach and we ended up taking our time to take macros of ‘bluebottles’ otherwise known as the Portuguese Man-o-War. Most Australians have been stung by one at some time or other and I had, as a boy, one inside my board shorts in the summer of 1979. Tears flowed!


cc licensed ( BY NC SD ) flickr photo shared by Darcy Moore 

The above shot – aperture @ f/38 and shutter speed @ 1/30 sec – could not have been taken without my little Joby Gorillapod to get nice and low, close to the ground and subject. My full frame Nikon D700 weighs almost a kilogram and the105mm lens another 800 grams but the tripod is very stable, once you know how to position it effectively. I had to move in a spritely fashion, several times, as the waves rolled in to the shore. On returning home I used a blower to clean any sand and grit off the body and lens.

I had intended to use my Kenko extension tubes to make some very close-up shots of the ‘bluebottle’ but the light left me and I was also a little reluctant to change lenses on the beach, in the wind.

An aside: I recommend shooting in (A)perture mode for macros. I really like ‘stopping down‘ to get a great, increased depth-of-field. NB The other two macros below are shot at f/36 and f/29 respectively. Remember, the higher the number the smaller the aperture and the greater the depth-of-field.

Two favourite shots from recent years, were taken with the same 105mm lens and my Nikon D90. This cicada shell below was perfectly positioned, on a tree, near ‘Bombo’ (Kiama) cemetery. I pay my daughters spotter fees for finding good macros and paid double for this one.


cc licensed ( BY NC SD ) flickr photo shared by Darcy Moore 

A completely different kind of shot to look at is this stunningly white fungus found growing, in the gorgeous Minnamurra Rainforest, in the nearby Budderoo National Park. The contrast with the green background is just stunning.


cc licensed ( BY NC SD ) flickr photo shared by Darcy Moore 

I recommend reading quite a few books about macro photography, if you are seriously interested in exploring this style of shooting. There are many and I am happy to recommend several if you post a comment explaining what gear you are using or intending to buy.

I also recommend exploring the macro Flickr groups to share your shots and learn from others.

I’d love to see your macros!

ISO

Bryan Petersen talks about the ‘photographic triangle’ of aperture (f-stop), shutter speed and ISO settings as the essential framework for effectively capturing a shot, regardless of whether a speedlight or other tools are used. I tend to shoot in ‘aperture priority’ mode mostly and do not really ever adjust ISO much, usually leaving it on 200 in attempt to have ‘noise’ free pictures.

I have not experimented with ‘flash’ photography, rarely even using the inbuilt one on my Nikon D700. Recently, on several occasions, a decent speedlight would have proven invaluable as I have just used my fastest lens, the AF Nikkor 50mm f1.8 with the shutter wide open and hoped for the best. I have not effectively used the ISO setting (and have left the camera on automatic white balance too) but have been conscious that this was an area of my photography I needed to develop.

NB I do covet the SB-900 i-TTL Speedlight and will hopefully aquire one this christmas, if I’m good, but still, of course, need to master ISO and white balance.

The crypt of a cathedral in Viborg, Denmark proved a great place to practise. The light was streaming through the window and I set my D700 and AF Nikkor 24-70 mm lens to an aperture of f2.8, shutter speed of 1/160 and to ISO 2000. I was happy with the result.


cc licensed ( BY NC SD ) flickr photo shared by Darcy Moore 

What advice do you have about ISO settings?

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